由細少組合而成的作品,對我來說是為了尋找不明方向的方法。

The artwork is combined with many different small things as a methodology for me to find the right direction.


我對於小時候的印象十分濛糊,假若沒有照片,我跟本想不起來。可是看著照片感覺到照片裡的她並不是我,她還留在這個地方生活著,我從相片尋找最為悉識的物件。試除著感覺繪畫,但最清淅的就是家外圍的環境,是那遍樹林,而不是我個人。

I have a blur impression of my childhood. I cannot even remember anything if there were no photos of it. However, when I look at the photos, I cannot associate the child to myself – her life only belongs to that place. I try to paint with my instinct by looking at the familiar objects in photos.

Unexpectedly, the most precise memories are not about myself, but the woods, which is the external environment of my home.
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